#Useful adobe audition shortcuts manual#
#Useful adobe audition shortcuts pro#

It’s worth noting that Adobe is currently working on a Sensei-driven version accessible inside Premiere Pro-you can try it out before it goes to general release by clicking on the Beta Apps list in Creative Cloud.Įnter the new duration for a nested sequence in Premiere Pro’s Speed/Duration tool.

Or, if you don’t have loops, you can razor your track into segments, copy-paste as needed, and then slap on some crossfades to smooth out the joins.īut you’ll get there a lot faster with Audition’s Remix tool.

Some music providers offer loops-sometimes even stems-alongside their royalty-free music tracks, so one way to build your music bed is to stack these up in Premiere Pro. Retiming the underscore to match your video is a common task, particularly if you’re working on corporate videos or commercials. Tip: Hold down Shift while you drag to lock the brush to the vertical, which is perfect for painting over clicks. When you let go, Audition will then fill the selected area with audio taken from the surrounding recording, which usually results in an invisible mend and is very satisfying. Use Audition’s Spot Healing Brush to remove mouth transients without disturbing the tone or adjacent audio. You can duck the audio using amplitude keyframes, isolate the frequency with high- or low-pass filters, or razor the offending segment entirely. If you’ve ever used Photoshop’s Content-Aware Fill or Spot Healing Brush to remove unwanted objects from an image, you might find yourself wishing for something similar for audio-especially when it comes to removing the kinds of clicks and crackles that are common in close-proximity vocal recordings like voiceovers. With a little practice, you’ll be able to see issues with your audio before you even listen to it, like sibilance, breath noises, and unwanted vocal transients. The waveform looks like silence, but Audition’s spectral frequency tells a different story.įor example, a constant reddish-purple mist in the low end might indicate that you need to run a noise reduction pass, while a bright spot on the baseline could mean that there’s a microphone pop that needs your attention. And this can tell you more about the sound than a waveform ever could. This tool is basically a cross between a heat map and a histogram, using color to indicate the volume of a sound in specific frequencies. The spectral frequency displayįor me, Audition’s standout feature is the spectral frequency display, which you can toggle on and off in the Waveform editor using Shift+D.

#Useful adobe audition shortcuts pro#

So it’s probably best to stick with clip-based round-tripping during the edit, and only export sequences when you’re ready to finalize.Īnd now that the housekeeping is out of the way, let’s take a look at some of the most common reasons I leave Premiere Pro and head into Audition. Other than allowing you to select a Work Area selection to send to Audition, this option is largely the same and requires export and import to get your audio edit back into the video project. The same is also true of the Edit in Audition->Sequence option you’ll find in Premiere Pro. Perhaps more importantly, you can now choose to add this exported file to a different track alongside the original audio in Premiere Pro (which you can silence by moving it to a muted track, or by unlinking the audio and toggling the Enable switch in the right-click menu).Įxporting tracks as stems results in audio files that take up the entire sequence length. While it adds a step, this approach lets you choose the export format, filename, and location for the replacement audio. You can also isolate the audio you want to work on in Audition using the Work Area bar (soloing the tracks you want to keep, or muting any unwanted tracks) and then export it from Premiere Pro as an uncompressed audio file so it can be imported into Audition.

#Useful adobe audition shortcuts manual#

The alternative routeīut if you prefer a more controlled, manual approach (I do), there is another way. Just right-click on the extracted file in the Premiere Pro sequence and choose Restore Unrendered. Tip: It’s also worth noting that the clip’s original audio can easily be restored if things go south and you need to backtrack. So just make sure that your current installation hasn’t inherited a previous version’s behavior by selecting the Next to original media files option. But Premiere Pro used to save the copy in a scratch disk location instead, which tended to break things if you moved the original project to a new location and left the extracted file behind. These days, the default behavior is to save the extracted file alongside the original file.

Make sure you know where the rendered files are being saved.